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Author: Vienna Pink

Honey Oud / Floris

Honey Oud / Floris

This is by far my favorite oud fragrance; it’s versatile, unisex, and tends to induce feelings of confidence and positivity even in the most chaotic of circumstances. This is either extremely sexy, or I feel incredibly sexy wearing it; the roses and amber are warm and addicting. Honey Oud makes me feel as though I am hanging on the arms of a very powerful man who wrestles bears for fun and wears a letter “S” on his chest.

The opening is a sparkling cloud of honey and woods with rose petals blossoming throughout. Musk and patchouli are mildly perceptible but its presence is dominated by the appearance of spicy vanilla and amber. The agarwood, rose, and vanilla combined smells like old prayer books and church incense, incredible. Honestly I can’t think of a more harmonious blend of notes; these facets go so well together–as if they were created solely for the purpose of this perfume.

Besides the attractive appeal, Honey Oud reminds me of old Roman cathedrals with vaulted ceilings and wood panels on praying altars. It’s like sitting in church on a bright Sunday morning, taking in the scent of virtuousness that exudes from the layers of stone and architecture that has persisted for centuries.

I honestly love this fragrance, and for such an expensive scent…its price is very agreeable too; overall a true masterpiece worthy of its reputation.


Longevity: 8/10  Sillage: 7/10

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Un Crime Exotique / Parfumerie Generale

Un Crime Exotique / Parfumerie Generale

This perfume has a distinct scent of fresh tea mixed in with gingerbread and sandalwood; it’s a lovely a gourmand with an herbal twist rather similar to Sacrebleu by Nicolai Parfumeur. Un Crime Exotique smells similar to a coffee shop/vintage book store during Christmas time; it’s festive and warm with a penchant for nostalgia.
The opening is cinnamon, chai tea and gingerbread. Though on my skin I find the gingerbread to be dominant, with cinnamon notes contributing subtle whiffs of spiciness. Sandalwood and tea create a cozy accord that makes me think of pumpkin pie fresh out of the oven and sprinkled with a generous amount of nutmeg and allspice.

I see comparisons to Pacifica’s Mexican Cocoa and I have to disagree, MC smells to me like dark chocolate with a heavy dusting of coco powder and an almond filling. It smells decadent and buttery unlike UCE which is spicier in a totally optimistic and cheerful way.

Un Crime Exotique is a wonderful scent that manages to encapsulate the holiday spirit for all seasons and occasions. It’s simply a delicious and happy fragrance, nothing complex or extravagant. It’s a perfume I’ll end up using as a room deodorizer because it reminds me of pies baking in the oven; it’s also great for concentration or to help with relaxation and sleep.


Longevity: 8/10  Sillage: 5/10

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Spiritueuse Double Vanille / Guerlain

Spiritueuse Double Vanille / Guerlain

Imagine Vito Corleone in the opening scene of The Godfather where he is confronted by Amerigo Bonasera about a particular murder-for-hire of two young men. This scene takes place inside a dark and smoky room with just enough light to showcase the tension that exists between Vito and the undertaker, if that room had a smell it would be Spritueuse Double Vanille.

SDV is the upper crust of the perfume world and its price/exclusivity pretty much sums up how rare this gem is.  Spiritueuse was designed by Jean Paul Guerlain himself in 2007 with the intentions of it being a limited edition scent only available at the higher end boutiques in Paris. Double Vanille is an elegant and boozy fragrance reminiscent of dark liquor and tobacco.

This starts out thick and decadent with heavy notes of rum and benzoin, there is a dark boozy undertone that stays throughout the initial stage and into the dry down. The opening is reminiscent of expensive liquor and pipe tobacco, the chocolate stage follows abruptly with a hint of smoke and cedar. Its middle stage is where I fell in love, once the alcohol and smoke have subsided you are left with the scent of sweet luxurious vanilla on a bed of dark chocolate. SDV is beautifully balanced between sweet and smokiness, plus it’s probably liable to get you a little buzzed too.

Spiritueuse has amazing endurance and sillage, I would wear this all day and could still smell it lingering on my skin the next morning. The bottle really ought to come with a warning label or at least a seal of potency; its opening is heavy with the scent of booze, enough to sweep me off my feet at times.

Overall a decadent and expensive perfume that is unavailable anywhere but France, there are alternatives such as Eau Des Missions Cologne by Le Couvent des Minimes; although that one is a bit sweet and not as earthy or wholesome. Spiritueuse is worth a try in my opinion, its cult following makes it almost mythical.


Longevity: 9/10  Sillage: 9/10

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L’Ambre des Merveilles / Hermes

L’Ambre des Merveilles / Hermes

Wow this is absolutely beautiful and warm like golden sugar. I’m surprised there are no comparisons to Kenzo L’Elephant minus the oriental spices associated with that fragrance: cardamom, cloves, cumin, caraway etc. L’Ambre is reminiscent of hot spicy chai with lots of cinnamon and vanilla powder; it feels so cozy and makes me want to crawl into bed and hibernate all winter lol.

The opening is bright amber with drops of sweet vanilla, this smells like a warm creamy dessert infused with toasted brown sugar and cinnamon spices. A boozy patchouli underlies this sugary accord, but it’s neither cold nor sharp. In fact the patchouli is subtle and mildly woodsy; it doesn’t come off as being too bitter or intrusive like most scents dominated with this note. Labdanum is discreetly mixed into the dry down to give a soft and airy fragrance that feels minimalistic and honest, like bright and transparent amber.

Although L’Ambre is distinctively a sweet scent, it’s certainly unconventional. Unlike most sugary perfumes this one doesn’t feel narcissistic (it doesn’t stand there screaming obnoxiously) neither does it seek attention in crude ways.  L’Ambre feels wholesome and modest, she’s sweet and inviting like apple pie, but still retains an aura of mystery. Men are drawn not only to her discreet nature but also her feminine charms; she inspires poetry in those lucky enough to fall in love with her.

Overall a magnificent perfume by Hermes, and one that feels perfect for those long winter months. L’Ambre is inoffensive while the longevity is quite good; it’s unisex though I associate this fragrance as strongly feminine. Highly recommended for those who enjoyed Kenzo L’Elephant but found the myriad of spices too strong and bitter; L’Ambre is perfect for gourmand lovers as well.


Longevity: 8/10  Sillage: 7/10

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Love by Kilian / Kilian

Love by Kilian / Kilian

At $260 a bottle I expected something a little more unique and exceptional; the features of Love are quite peculiar: caramel, sugar and…civet. I would never have guessed “that poor cat” was part of this concoction because the scent smells primarily of synthetic bubble gum and marshmallows. I can definitely see the resemblance to D&G’s Pour Femme but unlike PF, Love is much more intense with a hint of skankiness–probably due to the combination of musk and civet.

The opening is like a rude outburst of caramel and pink sugar, I mean this is really really sweet. The liquid is an amber color that is as intense as its sillage, do NOT spray this on white clothing otherwise you’ll find yourself spending an afternoon scrubbing the stain off your garments.

Love is pretty linear with a few admittedly sensual phases of an animalic sort; the combination of musk and iris smells like powdered skin with civet being low-key, providing only a slight dirtiness to the undertone. I sense few florals as they seem to be the building blocks for the mostly sweet upper layers, a hint of pink pepper in the dry down and nothing more. Despite a mediocre sillage, this fragrance is quite enduring on my skin.

Love is pretty much pink bubble gum and caramel; it isn’t that complex or exceptional and smells incredibly mainstream. I feel one can easily substituted this scent for Pour Femme by Dolce & Gabbana or even Ulric de Varens’ Sublime; overall a decent Kilian creation but lacking in character.


Longevity: 9/10  Sillage: 7/10

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Very Sexy Now 2016 vs 2014 / Victoria’s Secret

Very Sexy Now 2016 vs 2014 / Victoria’s Secret

Very Sexy Now 2016 smells so cozy, like warm island sands under a hot tropical sun. This is a gorgeous and subtle coconut scent that reminds me of the beautiful coasts of Hawaii. 2016’s opening is a bit heavy on the alcohol but it dissipates within seconds to be replaced by an inviting scent of white sands and salty sea air. A very unique fragrance that is decadent like buttered popcorn, and just like buttered popcorn the fragrance can be a bit too “rich” and cloying if over sprayed. The dry down has hints of lotus which gives VSN a very aquatic and fresh undertone; this perfume has the spirit of a hot California summer with sandals in one hand and a bottle of suntan lotion in the other.

 

Very Sexy Now 2014 is a beautiful golden coconut fragrance crowned with garlands of fresh Gardenias. This version is a bit more floral than its older sister (Very Sexy Now 2016) and not as beach-y, however she’s still a warm tropical scent that is versatile year-round and for all occasions.

VSN starts off much like the 2016 version sans lotus and hot sand. Instead you are enveloped with fresh florals and a hint of quince; this brightens into a warm coconut accord that underlies a bouquet of orchids and gardenia. This is actually my favorite gardenia note in a perfume: white, dewy, and very island fresh. I think VSN’s coconut is the perfect background to its flowers center stage, it’s not synthetic nor overwhelming like most coconut fragrances, this one is done just right with a very subtle amount to give character.

Overall both perfumes are well done, they are weak in performance and the longevity is not great (even the EDP is skin soft) but I think these fragrances work so well because they aren’t heavy hitters, the coconut and sands would become too synthetic and messy otherwise.

If I would have to pick between the two I would certainly choose VSN 2014; it’s white florals, beach, and suntan lotion all in one bottle. It’s never cloying despite my obsessive spraying, can be worn day or night and is perfect whether you are having lunch with girlfriends or lazing around the house. In my opinion these are great fragrances by Victoria’s Secret, and both should be considered if you’re longing for the essence of summer.


Longevity: 6/10  Sillage: 6/10

Fragrance Notes for Very Sexy Now 2016:

Fragrance Notes for Very Sexy Now 2014:

Must de Cartier / Cartier

Must de Cartier / Cartier

This scent is like a woman’s pantsuit from the eighties: extravagant, timeless, and effortlessly gallant. This is a power bomb of aldehydes, civet, and vetiver; trademark ingredients from the golden age of perfumes. I was a little apprehensive about this fragrance, it’s certainly a statement piece with an extremely loud presence and great endurance, however I feel Must can also come off as slightly cold and intimidating.

On my skin this is a heavy composition of galbanum, woods, and aldehydes. Must phases out into a vetiver and sandalwood base with dry downs of carnation and supple leather. I can detect mild notes of civet but it isn’t overwhelming; I don’t pick up any roses, jasmine, or pineapple unfortunately. The dry down is a bit lackluster with mostly amber, aldehydes, and sandalwood. This is not a safe blind buy, like most fragrances from that time period, Must veers heavily into the “masculine” territory.

Personally I have yet to find a vintage chypre that doesn’t remind me of damp rotting earth; Must is actually quite enjoyable and one of the only eighties fragrances that I can stand. This is a power house, with the first application being strong enough to command the attention of a small village, and the longevity is incredible.

Overall I can see why this was a classic for over 30 years, it’s a legendary scent meant for the most sophisticated and powerful woman.


Longevity: 8/10  Sillage: 9/10

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La Nuit Tresor / Lancome

La Nuit Tresor / Lancome

If you were to ask me which fragrance in my collection garners the most attention, it would be without a doubt: La Nuit Tresor. I’ve received compliments from everyone including my landlord, my husband, random strangers, and even the plumber! The opening is my favorite stage of La Nuit – multifaceted, distinctive and “expensive” smelling. It’s gourmand without smelling like a candy bomb.

Immediate impressions were a delicious blend of praline, chocolate, orchids, caramel and patchouli followed by a blast of litchi. There are definite shades of incense and coffee upon a bed of vanilla and licorice. I can also smell fresh strawberries melding within layers of sweet and delicious litchi, this is very sweet but thanks to the balance of incense and papyrus…it never becomes cloying on my skin. La Nuit is incredibly balanced in smoke and sweetness, I can never get bored of it.

The dry down is akin to sun drenched berries and night orchids wrapped in vanilla and chocolate. It’s incredibly elegant and addicting, I find myself saving this fragrance for very special occasions due to an irrational fear of someday becoming bored of it.

La Nuit Tresor was an unexpected love at first sniff but I must say the bottle accurately represents the nature of this perfume very well, it smells feminine, purple, mysterious and bewitching. One of my best purchases; here’s hoping that it will never be discontinued or reformulated.


Longevity: 8/10  Sillage: 9/10

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Candy / Prada

Candy / Prada

This is ultimately too sweet, too syrupy, and too “aged boudoir”—in that specific order. I thoroughly enjoyed (and even veered into loving) the dry down, but its opening is much like an indulged ballerina with candy bar in hand—careening at 75 miles per hour, spinning out of control until extreme physical exhaustion causes her to slump over—a mess of tulle, powder, and lace strewn about violently, a vestige of her hysterical episode.
This is not to say that Prada’s interpretation of plastic doll head is a bad one, in fact I can understand the mass appeal; the issue is with how this fragrance counteracts with my chemistry. It just won’t work, I feel like I should be getting a sugar high just wearing it.

Initial notes are a syrupy caramel followed by pink powder and musky vanilla. It then transitions into a potpourri of chemically induced candy and warm benzoin which smells very “matronly” to my nose, like an older woman who wears too much jewelry and applies her makeup with a spackle knife.

Some time later the scent becomes a bit more agreeable, the caramel is properly tamed and the powdery notes are free to reign with benzoin and vanilla hand in hand to celebrate the complete overthrowing of that wretched synthetic candy. This is the part which I have tried to love, but overall the journey has been marred with too many unfortunate memories.

I’ve had an unharmonious affair with Candy which—with the passage of time, has softened into an affable relationship at best. For some reason I have owned 5 bottles of this perfume in the past year, all were gifts of some sort, it’s like a cruel joke the world wants to impose upon me.  Either way I refuse this affair, there are other fish in the perfumed sea ♥.


Longevity: 7/10  Sillage: 7/10

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Classique EDT vs EDP / Jean Paul Gaultier

Classique EDT vs EDP / Jean Paul Gaultier

I’ve been holding off on reviewing Classique because I felt there weren’t enough words in the English language to describe my love for this perfume. First off, it smells incredibly vintage yet completely modern, I love how complex and sensual I feel when wearing this and the confidence it exudes is enough to make this a true aphrodisiac on me.

Classique is the most feminine scent I have ever smelled that doesn’t veer into the immature or girly territory. I imagine Grace Kelly sitting at night in her boudoir wearing a pink chiffon night gown; her hair is perfectly coifed and makeup is perfection. This is what I imagine her bedroom to smell like—a cloud of soft flowers and makeup powder.

My initial impressions are ginger, star anise, vanilla, orange blossom, and lots of cinnamon. The ginger and cinnamon notes came on strong at first but mellows out beautifully as traces of orchid and iris slowly creeps its way into being, there are roses too but not an extravagant one yet rather subtle and quite shy. Sandalwood frolics lazily under the shade of sweet plum and citrus. Amber notes at its heart wraps everything together like an intimate embrace.

The opening is a spicy oriental but the dry down is creamy vanilla powder, like a cloud of pink lipstick. The sillage is enormous and very noticeable; its longevity lasts for days on the EDT—even when sprayed on clothes!

Classique is undoubtedly my favorite powdery scent; for me this perfume practically defines the difference between a masterpiece product and a decently composed fragrance. There is nothing jarring or sharp or undecidedly vulgar about this scent, it’s extremely feminine and sensual without ever being lurid. I’ve often seen this recommended as a beginner’s fragrance but I feel it is extremely polished for all noses, certainly a creation worthy of its reputation.


Longevity: 9/10  Sillage:9/10

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Edit: I wanted to do a short addendum for the EDP version of Classique, as it is almost certainly different from the EDT and worth noting. The “lace” version is creamier and more vanilla focused, and is indeed concocted with a lighter hand than its predecessor. Opening notes consists of a boozy vanilla, orchids, and rum phases which then passes into a rosy amber-y dry down that is largely florals and sandalwood. This is a dreamier version of Classique; though it more resembles the modest cousin than a direct sibling, the EDP is still very lovely if not bit more mainstream.  Personally I am not a huge fan of the lace version simply because it just isn’t the same beauty that I’ve fallen for, the lacking of spices and ginger has turned her into a common–but noble flower.

Classique eventually fades into a cloud of tonka bean, sandalwood, and boozy vanilla. Nothing extravagant, just powdery and feminine.

Despite constant trials with either one, the EDP is NOT stronger than the EDT in this case. I have had many outings with both relatives applied within the crevices of both arms, and have constantly monitored their progress throughout the day. It seems that the original not only outlasts its rival, but also dominates in terms of projection.

Frankly I enjoy Classique in all its variations, but the primary is certainly my favorite. This EDP is just too basic for me and frankly I can find better vanilla primaries than what it provides; the market is saturated with fragrances composing of the same features that the lace version tries to push. However I would suggest trying both as they often appeal to different senses.


Longevity: 8/10  Sillage: 8/10

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